The artwork portrays the towering, modern skyscraper landscape, evoked by the majestic mountains depicted in Eastern ink wash paintings. Through the technique of scattered pointillism, it allows the visual perspective to flow from top to bottom, from front to back, from near to far, with no fixed viewpoint, indulging in the creation of a surreal and imaginative space.

In contrast to the serene and contemplative ambiance of traditional ink wash paintings (where occasional solitary figures emerge), in the piece '81 Tầng,' there is a sense of confinement and entanglement of trapped souls. The contemporary architectural structure creates thousands of individual rooms within the tower, yet each person is tangled up, occupied with their own personal realm.

The artwork is a subjective perception that serves as a prophetic symbol of prosperity intertwined with boundless heights, while also suppressing the emotions of those who laboriously earn their living as the proletariat.